当我们谈论树的时候
69天堂网在线视频精品
影片信息
- 状态：HD
- 主演：苏莱曼·易卜拉欣/易卜拉欣·沙达德/
- 导演：苏哈伊布·加斯梅尔巴里/
- 年份：2019
- 地区：法国
- 类型：记录/
- 时长：内详
- 上映：未知
- 语言：其它
- 更新：2025-11-09 23:10
- 简介： (👷)苏利(lì )曼和(✒)“苏丹电(diàn )(📒)影俱(🐌)乐(lè )部”的另(lìng )外(wài )三名(míng )成员决定重振一家旧电(🎹)影院。他们(men )不仅因(yīn )为对电(diàn )影(yǐng )的热爱和对恢复旧(🎏)电影存量、(📼)再次关注苏丹电影历史的强烈(🎡)渴望而(ér )团结在一起，而且因为他们都(📞)曾在流放中接受过(guò )电影教(🖍)育。不知疲倦(juàn )地，他们试图让影院老板站(zhàn )在他(tā )们(🚨)一边(biān )，让这个(❔)地方重新运(🌊)作起来，但他们一再发现(🏂)自己(🤠)遭到了相(㊙)当大的阻力。同时(🈴)，他(⛏)们坐在一(yī )(🧤)起谈论(🤲)过去——包括他们作为(🥕)对立艺术家(jiā )遭受迫(pò )害甚至(zhì )折磨(🈁)的(de )经(jīng )历。他(tā )们(🥊)还(🍑)朗读流(💍)亡和梦想(😊)苏丹(➡)时写的旧(⛏)信(xìn )，在(zài )(🥋)那里艺术(shù )和智力思想可(kě )以自由(yóu )。“我(🎥)们(men )比他们(📧)聪明，但不如(🔤)他(tā )们强大，”他(♌)们一致总结了他们的(de )处(🔎)境。正是在这些(xiē )简(🔫)洁的时(shí )刻(kè )，观众才能够感知到友谊，以(📤)及在为共(🐂)同(tóng )理想(⏺)而斗(dòu )争中存在的纽带和意(😉)识(🚤)形态的团结(jié )。 苏(🔬)哈(🍯)伊(yī )布·加(jiā )斯梅(🐌)尔(ěr )巴(🖱)里(lǐ )把苏(😲)丹电影的历史放(🙅)在影片(🍾)的中(zhōng )心，同(tóng )时也揭示(shì )了一(🗒)个受到持(chí )续危机影响(xiǎng )的(🍈)国家的现状 Suliman and three further members of the ‘(⏩)Sudanese Film Club’(😕) have decided to revive an old cinema. They are united not only by their love of cinema and their passionate desire to restore old film stock and draw attention to Sudanese film history once more, but also by the fact that they have all enjoyed a film education in exile. Tirelessly, they try to get the cinema’s owners on their side and make the place operational again, but repeatedly find themselves up against considerable resistance. In the meantime, they sit together and talk about the past – including their experiences of persecution and even torture as oppositional artists. They also read out old letters written while in exile and dream of a Sudan in which art and intellectual thought can be free. ‘We are smarter than them, but not as strong,’ is how they unanimously summarise their situation. It is in laconic moments such as these that the viewer is able to perceive the friendship, as well as the bond and ideological solidarity that exists in the struggle for common ideals. Suhaib Gasmelbari puts the history of Sudanese cinema at the centre of his film and at the same time sheds light on the current situation in a country shaken by ongoing crises.
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(👷)苏利(lì )曼和(✒)“苏丹电(diàn )(📒)影俱(🐌)乐(lè )部”的另(lìng )外(wài )三名(míng )成员决定重振一家旧电(🎹)影院。他们(men )不仅因(yīn )为对电(diàn )影(yǐng )的热爱和对恢复旧(🎏)电影存量、(📼)再次关注苏丹电影历史的强烈(🎡)渴望而(ér )团结在一起，而且因为他们都(📞)曾在流放中接受过(guò )电影教(🖍)育。不知疲倦(juàn )地，他们试图让影院老板站(zhàn )在他(tā )们(🚨)一边(biān )，让这个(❔)地方重新运(🌊)作起来，但他们一再发现(🏂)自己(🤠)遭到了相(㊙)当大的阻力。同时(🈴)，他(⛏)们坐在一(yī )(🧤)起谈论(🤲)过去——包括他们作为(🥕)对立艺术家(jiā )遭受迫(pò )害甚至(zhì )折磨(🈁)的(de )经(jīng )历。他(tā )们(🥊)还(🍑)朗读流(💍)亡和梦想(😊)苏丹(➡)时写的旧(⛏)信(xìn )，在(zài )(🥋)那里艺术(shù )和智力思想可(kě )以自由(yóu )。“我(🎥)们(men )比他们(📧)聪明，但不如(🔤)他(tā )们强大，”他(♌)们一致总结了他们的(de )处(🔎)境。正是在这些(xiē )简(🔫)洁的时(shí )刻(kè )，观众才能够感知到友谊，以(📤)及在为共(🐂)同(tóng )理想(⏺)而斗(dòu )争中存在的纽带和意(😉)识(🚤)形态的团结(jié )。 苏(🔬)哈(🍯)伊(yī )布·加(jiā )斯梅(🐌)尔(ěr )巴(🖱)里(lǐ )把苏(😲)丹电影的历史放(🙅)在影片(🍾)的中(zhōng )心，同(tóng )时也揭示(shì )了一(🗒)个受到持(chí )续危机影响(xiǎng )的(🍈)国家的现状 Suliman and three further members of the ‘(⏩)Sudanese Film Club’(😕) have decided to revive an old cinema. They are united not only by their love of cinema and their passionate desire to restore old film stock and draw attention to Sudanese film history once more, but also by the fact that they have all enjoyed a film education in exile. Tirelessly, they try to get the cinema’s owners on their side and make the place operational again, but repeatedly find themselves up against considerable resistance. In the meantime, they sit together and talk about the past – including their experiences of persecution and even torture as oppositional artists. They also read out old letters written while in exile and dream of a Sudan in which art and intellectual thought can be free. ‘We are smarter than them, but not as strong,’ is how they unanimously summarise their situation. It is in laconic moments such as these that the viewer is able to perceive the friendship, as well as the bond and ideological solidarity that exists in the struggle for common ideals. Suhaib Gasmelbari puts the history of Sudanese cinema at the centre of his film and at the same time sheds light on the current situation in a country shaken by ongoing crises.
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